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lacma: This is the final weekend to see Thomas Cole’s masterpiece, The Course of Empire (1834–36) at LACMA. The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are
lacma: This is the final weekend to see Thomas Cole’s masterpiece, The Course of Empire (1834–36) at LACMA. The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are
lacma: This is the final weekend to see Thomas Cole’s masterpiece, The Course of Empire (1834–36) at LACMA. The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are
lacma: This is the final weekend to see Thomas Cole’s masterpiece, The Course of Empire (1834–36) at LACMA. The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are
lacma: This is the final weekend to see Thomas Cole’s masterpiece, The Course of Empire (1834–36) at LACMA. The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are
lacma: This is the final weekend to see Thomas Cole’s masterpiece, The Course of Empire (1834–36) at LACMA. The five large-scale paintings—a visual feast and meditation about civilization and the potential challenges facing the young country—are