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gallowhill: Václav Stratil - Monastic Patient, 1991-1994 In an extensive cycle the Monastic Patient, Stratil’s constant preoccupation with play with his own photographed image is rooted. What is more, it is his first use of public photo lab. In
gallowhill: Václav Stratil - Monastic Patient, 1991-1994 In an extensive cycle the Monastic Patient, Stratil’s constant preoccupation with play with his own photographed image is rooted. What is more, it is his first use of public photo lab. In
gallowhill: Václav Stratil - Monastic Patient, 1991-1994 In an extensive cycle the Monastic Patient, Stratil’s constant preoccupation with play with his own photographed image is rooted. What is more, it is his first use of public photo lab. In
gallowhill: Václav Stratil - Monastic Patient, 1991-1994 In an extensive cycle the Monastic Patient, Stratil’s constant preoccupation with play with his own photographed image is rooted. What is more, it is his first use of public photo lab. In
gallowhill: Václav Stratil - Monastic Patient, 1991-1994 In an extensive cycle the Monastic Patient, Stratil’s constant preoccupation with play with his own photographed image is rooted. What is more, it is his first use of public photo lab. In
gallowhill: Václav Stratil - Monastic Patient, 1991-1994 In an extensive cycle the Monastic Patient, Stratil’s constant preoccupation with play with his own photographed image is rooted. What is more, it is his first use of public photo lab. In
gallowhill: Václav Stratil - Monastic Patient, 1991-1994 In an extensive cycle the Monastic Patient, Stratil’s constant preoccupation with play with his own photographed image is rooted. What is more, it is his first use of public photo lab. In