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crossconnectmag: Preview: Kris Kuksi’s “Antiquity in the Faux” at Mark Moore Gallery While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of
crossconnectmag: Preview: Kris Kuksi’s “Antiquity in the Faux” at Mark Moore Gallery While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of
crossconnectmag: Preview: Kris Kuksi’s “Antiquity in the Faux” at Mark Moore Gallery While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of
crossconnectmag: Preview: Kris Kuksi’s “Antiquity in the Faux” at Mark Moore Gallery While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of
crossconnectmag: Preview: Kris Kuksi’s “Antiquity in the Faux” at Mark Moore Gallery While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of
crossconnectmag: Preview: Kris Kuksi’s “Antiquity in the Faux” at Mark Moore Gallery While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of
crossconnectmag: Preview: Kris Kuksi’s “Antiquity in the Faux” at Mark Moore Gallery While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of
crossconnectmag: Preview: Kris Kuksi’s “Antiquity in the Faux” at Mark Moore Gallery While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of
crossconnectmag: Preview: Kris Kuksi’s “Antiquity in the Faux” at Mark Moore Gallery While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of
crossconnectmag: Preview: Kris Kuksi’s “Antiquity in the Faux” at Mark Moore Gallery While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of