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strangelfreak: Bill Durgin’s photographs reflect his fascination with the figure as a sculptural entity. His complex arrangements of the body require extreme contortion to achieve an austere effect, as if the figures have been abstracted. The gestures
strangelfreak: Bill Durgin’s photographs reflect his fascination with the figure as a sculptural entity. His complex arrangements of the body require extreme contortion to achieve an austere effect, as if the figures have been abstracted. The gestures
strangelfreak: Bill Durgin’s photographs reflect his fascination with the figure as a sculptural entity. His complex arrangements of the body require extreme contortion to achieve an austere effect, as if the figures have been abstracted. The gestures
strangelfreak: Bill Durgin’s photographs reflect his fascination with the figure as a sculptural entity. His complex arrangements of the body require extreme contortion to achieve an austere effect, as if the figures have been abstracted. The gestures
strangelfreak: Bill Durgin’s photographs reflect his fascination with the figure as a sculptural entity. His complex arrangements of the body require extreme contortion to achieve an austere effect, as if the figures have been abstracted. The gestures
strangelfreak: Bill Durgin’s photographs reflect his fascination with the figure as a sculptural entity. His complex arrangements of the body require extreme contortion to achieve an austere effect, as if the figures have been abstracted. The gestures
strangelfreak: Bill Durgin’s photographs reflect his fascination with the figure as a sculptural entity. His complex arrangements of the body require extreme contortion to achieve an austere effect, as if the figures have been abstracted. The gestures