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benafflecks: The Great Gatsby (2013) production designDesigned by Catherine Martin“One of Baz’s main design directives for the look and feel of this particular movie was that he didn’t want a nostalgic, sepia-toned New York City of the 1920s. He
benafflecks: The Great Gatsby (2013) production designDesigned by Catherine Martin“One of Baz’s main design directives for the look and feel of this particular movie was that he didn’t want a nostalgic, sepia-toned New York City of the 1920s. He
benafflecks: The Great Gatsby (2013) production designDesigned by Catherine Martin“One of Baz’s main design directives for the look and feel of this particular movie was that he didn’t want a nostalgic, sepia-toned New York City of the 1920s. He
benafflecks: The Great Gatsby (2013) production designDesigned by Catherine Martin“One of Baz’s main design directives for the look and feel of this particular movie was that he didn’t want a nostalgic, sepia-toned New York City of the 1920s. He
benafflecks: The Great Gatsby (2013) production designDesigned by Catherine Martin“One of Baz’s main design directives for the look and feel of this particular movie was that he didn’t want a nostalgic, sepia-toned New York City of the 1920s. He
benafflecks: The Great Gatsby (2013) production designDesigned by Catherine Martin“One of Baz’s main design directives for the look and feel of this particular movie was that he didn’t want a nostalgic, sepia-toned New York City of the 1920s. He