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brucebanners:Although del Toro had originally planned on shooting in black-and-white, the choice would’ve been too costly, so color actually increased his budget from .5 million to .5 million. Even so, del Toro and Laustsen went for a monochromatic,
brucebanners:Although del Toro had originally planned on shooting in black-and-white, the choice would’ve been too costly, so color actually increased his budget from .5 million to .5 million. Even so, del Toro and Laustsen went for a monochromatic,
brucebanners:Although del Toro had originally planned on shooting in black-and-white, the choice would’ve been too costly, so color actually increased his budget from .5 million to .5 million. Even so, del Toro and Laustsen went for a monochromatic,
brucebanners:Although del Toro had originally planned on shooting in black-and-white, the choice would’ve been too costly, so color actually increased his budget from .5 million to .5 million. Even so, del Toro and Laustsen went for a monochromatic,
brucebanners:Although del Toro had originally planned on shooting in black-and-white, the choice would’ve been too costly, so color actually increased his budget from .5 million to .5 million. Even so, del Toro and Laustsen went for a monochromatic,
brucebanners:Although del Toro had originally planned on shooting in black-and-white, the choice would’ve been too costly, so color actually increased his budget from .5 million to .5 million. Even so, del Toro and Laustsen went for a monochromatic,
brucebanners:Although del Toro had originally planned on shooting in black-and-white, the choice would’ve been too costly, so color actually increased his budget from .5 million to .5 million. Even so, del Toro and Laustsen went for a monochromatic,
brucebanners:Although del Toro had originally planned on shooting in black-and-white, the choice would’ve been too costly, so color actually increased his budget from .5 million to .5 million. Even so, del Toro and Laustsen went for a monochromatic,
brucebanners:Although del Toro had originally planned on shooting in black-and-white, the choice would’ve been too costly, so color actually increased his budget from .5 million to .5 million. Even so, del Toro and Laustsen went for a monochromatic,